![]() Treating American writers spanning the gap. Modernism, Mass Culture, Professionalism works to break down the opposition that has separated the difficulty of modernist writing from the simpler productions of "lower" forms of literature. Modernism, Mass Culture, Professionalism. The paper will focus on the problem of how the textuality of these television serials is made meaningful and pleasurable by its variously situated viewers, though it will also consider the relationship between the cultural dimension and television's status as a commodity in a capitalist economy and to interrogate the semiotic account of how television makes, or attempts to make, meanings that serve the dominant interests in society, and how it circulates these meanings amongst the wide variety of social groups that constitute its audiences. In this contemporary era, using Shakespeare's famous texts as intertext in films and television series has contributed to our understanding of the intertextual theory and devices which appeal to ones senses and the way these intertextualities effect the thinking process of the audience will be discussed in this paper. The place of intertextuality within the arts and cinematic leads us towards the issue of Postmodernism and when applied to popular English television serials like Empire, Breaking Bad, House of Cards, Star-Crossed and Sons of Anarchy one comes to know about the ambiguities created by these televisual adaptations, how postmodern is intertextuality, the politics of postmodern parody, interdependence of literary figures, and the difference created in the form of intertextual space. Television serials have marked the advent of 'postmodern culture' and realities in American drama series, and have formed a crucial part of the social dynamics by which the social structure maintains itself in a constant process of production and reproduction: meanings, popular pleasures, and their circulation are therefore part and parcel of this social structure. Intertextuality as a discourse has always aroused the curiosity of readers and audience, and has compelled them to decipher the hidden layers of a text, and has made television a 'cultural agent', particularly as a provoker and circulator of meanings. ![]()
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